Chopin's waltzes were – contrary to, say, those by Schubert – no longer conceived for dancing or for the ballroom. These pieces assumed the form and function of idealized concert waltzes, which Chopin enjoyed performing in the elegant and exclusive art-loving salons of Paris. A particularly eloquent example is the “Grande Valse brillante” op. 18 which, with its multiplicity of charming melodic ideas and moods – now gently rocking, now overwhelming, now again triumphantly jubilant – became one of Chopin's most popular waltzes. The medium level of difficulty allows even less proficient pianists to become familiar with the “brilliant” side of Chopin through this waltz.
- Composer:
- (ed. Ewald Zimmermann. fing. Hans-Martin Theopold)
- EAN:
- 0
- Minimum Order Quantity:
- 1
- Pages:
- 10
- UPC:
- 888680682958
- Format:
- Softcover. Edition with Fingering
- Subtitle:
- Edition with Fingering. Henle Music Folios
- Original Currency:
- USD
- Vendor:
- Hal Leonard