Editor: Friesenhagen, Andreas / Heitmann, Christin
With Preface by: Friesenhagen, Andreas
Edition Type/Format: score, Urtext edition
Scoring and Instrumentation: 2Ob/2Hn/2V/Va/Basso
Detailed Scoring and Instrumentation: 2Ob/2Hn/2V/Va/Basso
Pages: IV, 15 S.
Size: 31.0 x 24.3 cm
With Preface by: Friesenhagen, Andreas
Haydns Symphony No. 26 received its nickname Lamentazione during his lifetime, though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydns day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other. Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydns Symphony No. 26 is appearing, based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydns Sturm und Drang symphonies and all of the London and Paris symphonies has already been published. Based on the Henle Complete Edition of the Works of Joseph Haydn Orchestral parts available in a large format (25.5 x 32.5 cm)
Edition Type/Format: score, Urtext edition
Scoring and Instrumentation: 2Ob/2Hn/2V/Va/Basso
Detailed Scoring and Instrumentation: 2Ob/2Hn/2V/Va/Basso
Pages: IV, 15 S.
Size: 31.0 x 24.3 cm