OperAria Baritone

Repertoire Collection edited by Peter Anton Ling [Bar,pno]

“OperAria is a stroke of luck, the most up-to-date and complete material you need to be able to follow your dream profession as singer!” (Roman Trekel, Patron Baritone)

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"It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre." (Peter Anton Ling)

OperAria is the ideal "vocal coach" for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.

Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)

with comments on the arias

information on the composer, the librettist, the work,the range and of versions or casting
a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot
an evaluation from the singer’s point of view

with “phonetic assistant” and “text assistant”

aria texts in the original language spoken by native speakers as an audio file (mp3)
aria texts in German and English translations as a text file (pdf)

1. Christoph Willibald Gluck	Je t’ai donné la mort / Dieux! qui me poursuivez	(Oreste – Iphigénie en Tauride)
2. Wolfgang Amadeus Mozart	Nur mutig, mein Herze	(Allazim – Zaide)
3. Wolfgang Amadeus Mozart	Hai gia vinta la causa / Vedrò mentre io sospiro	(Il Conte Almaviva – Le nozze di Figaro)
4. Wolfgang Amadeus Mozart	Rivolgete a lui lo sguardo	(Guglielmo – Così fan tutte)
5. Wolfgang Amadeus Mozart	Fin ch’ han dal vino	(Don Giovanni – Don Giovanni)
6. Wolfgang Amadeus Mozart	Deh vieni alla finestra	(Don Giovanni – Don Giovanni)
7. Wolfgang Amadeus Mozart	Ein Mädchen oder Weibchen	(Papageno – Die Zauberflöte)
8. Conradin Kreutzer	Ein Schütz’ bin ich	(Jäger – Das Nachtlager in Granada)
9. Gioachino Rossini	Largo al factotum	(Figaro – Il barbiere di Siviglia)
10. Gioachino Rossini	Sois immobile	(Tell – Guillaume Tell)
11. Gaetano Donizetti	Bella siccome un angelo	(Dottor Malatesta – Don Pasquale)
12. Albert Lortzing	Sonst spielt’ ich mit Zepter, mit Krone und Stern	(Zar Peter – Zar und Zimmermann)
13. Albert Lortzing	Nicht Reichtum macht das Leben schön	(Hans Sachs – Hans Sachs)
14. Albert Lortzing	Wie freundlich strahlt / Heiterkeit und Fröhlichkeit	(Graf von Eberbach – Der Wildschütz)
15. Ambroise Thomas	Ô vin, dissipe la tristesse	(Hamlet – Hamlet)
16. Richard Wagner	Blick’ ich umher	(Wolfram von Eschenbach – Tannhäuser)
17. Richard Wagner	Wie Todesahnung / O du mein holder Abendstern	(Wolfram von Eschenbach – Tannhäuser)
18. Charles Gounod	Ô sainte médaille / Avant de quitter ces lieux	(Valentin – Faust)
19. Charles Gounod	Mab, la reine des mensonges	(Mercutio – Roméo et Juliette)
20. Camille Saint-Saëns	Qui donc commande	(Henry – Henry VIII)
21. Georges Bizet	L’orage s’est calmé / Ô Nadir	(Zurga – Les pêcheurs de perles)
22. Pjotr Iljitsch Tschaikowsky	Ja vas ljublju	(Jeletzki – Pique Dame)
23. Jules Massenet	Aux troupes du Sultan / Promesse de mon avenir	(Scindia – Le Roi de Lahore)
24. Ruggero Leoncavallo	E fra quest’ansie / Decidi il mio destin	(Silvio – I Pagliacci)
25. Giacomo Puccini	Questo amor, vergogna mia	(Frank – Edgar)
26. Richard Strauss	Lieben, Hassen, Hoffen, Zagen	(Harlekin – Ariadne auf Naxos)
27. Erich Wolfgang Korngold	Mein Sehnen, mein Wähnen	(Fritz – Die tote Stadt)
28. Viktor Ullmann	Von allem, was geschieht	(Der Kaiser – Der Kaiser von Atlantis)